[Image] ---------------------------------------------------------------- [Image] HOMEPAGE | CLASSIFIEDS | CALENDAR | ABOUT OJAI | ABOUT US | ARCHIVES -------------------------------------------------- Remembering When Art Center grew from community effort by David Mason "The Ojai Art Center, as it is known today, is a place of fellowship, where the community can study and enjoy varied artistic ventures just as Charles Butler visualized it over four decades ago." - The Ojai Valley, An Illustrated History, 1983 NOTE: David Mason, shown at the right of the photo, was among cast members of the 1949 Ojai Community Art Center production of "Mr. Berry's Etchings." The arts would come early to the Ojai Valley. Many different groups had formed over the years to practice their trade, among the main ones were the Community Chorus, the English Folk Dance Society, the Community Players and the Arts and Crafts. In 1921, since none of the groups had their [Image] own facilities, a movement started to find a building where all of the various organizations could meet on a regular basis. The Community Players were holding their plays in the Boyd Club, the Folk Dance Society was meeting at the El Roblar Hotel (now The Oaks at Ojai), the Community Chorus was meeting at the Ojai Woman's Club and the other groups were meeting in private school facilities, church halls and private homes. By the 1930s, the local paper, The Ojai, was promoting the idea of an art center, so that all of the arts would be in the same location, not scattered all over the valley. Dr. Charles T. Butler, a strong art center supporter, said: "This plan called for joining together several independent cultural groups in a community Art Center, for the purpose of gaining better management, proper facilities, wider scope and greater advantages for the entire valley in all branches of art." The five groups backed Dr. Butler's proposal fully. At once a name was selected, The Community Art Center of the Ojai Valley. Subcommittees were appointed for fund-raising, incorporation and bylaws, site and architectural advice. Teas and art lectures were given throughout the Ojai Valley to promote the Art Center. It appeared the whole population was eager for a building that would provide the valley with a cultural center, because most of the valley's activities had been centered around agriculture. The site committee spent many days and weeks looking at different locations around the town. Finally, a suitable site was chosen behind the Ojai Theater on South Signal Street. It was a large lot with a building already in place. The lot, however, was part of an estate, and after many months of negotiations, the committee's offer was refused. In February of 1936, it was announced that through the generosity of the library board, the land on South Montgomery Street where the original old library building stood, was being made available to the Art Center committee. The Community Players felt that since the library board was being quite generous and reasonable with their offer that to make any other location choice would be unwise. The lot was purchased for $345. The site committee was then dissolved. Next, a fund-raising committee was created to secure the funds for building the Art Center. The members eagerly campaigned to reach their goal of $15,000, which was the estimated cost of construction. It would take more than two years of hard work before the amount was finally raised. The architectural committee was formed to come up with a suitable building design, one that would have room for all of the different art branches to meet. Sketches for the proposed building were made by Chalfant Head, a noted architect from the Los Angeles area. The plans were exhibited in downtown Ojai, so that everyone could see them. The proposed building would have a hooded entrance fronting a circular turn-around. The construction material was a simple board and batten with a Celotex interior. A charming paved terrace fronting the wooded section of the adjoining Libbey Park was one of the most attractive features of the plan. The patio was intended to be used to present outdoor plays in the summer with the audience seated either on the lawn with the players acting on the terrace, or with the audience seated on the terrace so that the barranca, the lovely old trees and greenness of the park could be used to create a background. A bridge across the barranca was also proposed so that the Art Center would have access from the park and from Montgomery Street. The location of the property was also regarded as very desirable because of its proximity to the heart of Ojai. The center was expected to attract visitors to the village because of the usefulness of the building and the needs of the community for a meeting place, and for all the other activities. Since the lack of a large auditorium with proper stage facilities had been a problem for the community, the new building was looked forward to with great anticipation. Upon completion, and with a lot of fanfare, the Ojai Community Art Center was dedicated on Nov. 5, 1939. The various groups moved in and began to pursue the enjoyment of avocational art under the theater, dancing, choral, instrumental music and fine and applied arts branches. A literary branch was added and the center commenced to hold exhibitions of art, arranged lectures and musicals and brought entertainment by outside talent to the Ojai Valley. The facilities provided the theater branch with ample seating, dressing rooms, wardrobe storage and the large stage. The aim of the theater branch was to create a theater which would serve the community. The Hollywood crowd soon adopted the little theater and joined in with the local actors to put on great performances. Among the talent that graced the stage were Loretta Young, Beau Bridges, Barry Sullivan, his wife Marie and their daughter Jenny. This was a great opportunity for those who wanted to act on the stage and for those who harbored a secret desire to build sets or paint flats. There was also a need for people to make wigs and costumes. It was even suggested that doing the dishes or making sandwiches in the small kitchen would even take on new glamour with the smell of grease paint no far away. Dr. Butler's dream had become a reality. He was born in Yonkers, N.Y. and received his bachelor's degree from Princeton and a doctorate from Columbia University. He served his country in World War I as a first lieutenant. He was also a member of the Society of Mayflower Descendants. Butler returned to New York after the war and practiced surgery at the Women's Hospital and the Presbyterian Hospital, as well as in private practice until his retirement in 1923. Arriving in Ojai, Dr. Butler would become prominent as a civic leader. In 1935, Dr. Butler had organized the Ojai Community Orchestra, which was the inspiration for the community art center. He was chairman of the first water conservation and flood control district for the Ojai Valley. During the years 1946 through 1954, he took a leading role in the Ventura County War and Community Chest. For 60 years, the Ojai Community Art Center has provided the valley with the best in theater productions. The artists whose works have hung in the gallery are of the most famous types and all of the various branches have continued to be productive and have worked together to further the cultural life of the community. © 1999 The Ojai Valley News Back to the news